Friday, 14 April 2017

Overview of Art and Propaganda under Lenin


  • Most Russians saw their first films on agit prop trains
  • Experimentation was encouraged and it was a time of creativity
  • Futurists - they believed in art for a practical purpose
  • Equality reflected in art - artists worked in teams and orchestras did away with conductors, taking notes on how the music was arranged
  • Proletkult idea of Alexander Bogdanov
  • By 1920 400,000 members
  • Bogdanov believed proletkult would move people towards communism
  • Lenin shut down it's regional and central offices in 1921 and 1922 as it had been developing as an independent organisation
  • Flowering of creativity from before revolution to 1920s
  • More than 1000 ROSTA posters were created over a two year period
  • Moscow Soviet was draped with the huge banner reading 'the proletariat has nothing to lose but it's chains'
  • Even more important than these in Lenin's view were statues
  • he provided a list of 66 names and personally unveiled a joint statue of Marx and Engels on the first anniversary of the revolution
  • May day and anniversary of the October revolution were great rituals
  • Lenin encouraged revolutionary celebrations but he wanted them to be controlled rather than spontaneous
Reenactment of the storming of the winter palace in November 1920

  • Involved 10,000 people and included the winter palace
  • It had fireworks and music
  • More dramatic and damaging to the building than the actual events

Lenin's art and culture

Proletkult
  • Aim was to define a unique proletarian culture that would inform and inspire revolutionary Russian Society
  • This was to be a collective culture where the 'I' of bourgeois culture would give way to 'we'
  • By 1920 there were around 84,000 members working in over 300 studios
  • It was an independent organisation - free of communist control
  • Flourished from 1917-1920 which was an achievement in the context of the civil war
  • Lenin was suspicious of the organisation
  • Lenin had it's regional and central offices shut down during 1921 and 1922
  • The national congress of proletkult voted and voluntarily merged with the commissariat of education
  • Dissenting artists who wanted to stay independent were criticised in the Soviet press
Painting and Sculpture
  • Artists associated with the avant-garde collaborated with the government to make posters, sculptures and paintings to encourage support for the regime
  • El Litsizky, a graphic designer and photographer created the poster 'beat the whites with the red wedge' in 1918 one of the most famous experimental posters of the civil war
  • The poster also inspired sculpture in which a red wedge splits a block of white stone. The sculpture was unveiled in Moscow in October 1918 to celebrate the anniversary of the October Revolution
  • 'Beat the whites with the red wedge' was one of over 100 agitprop posters produced during the civil war
  • The Russian Telegraph agency (ROSTA) worked with artists to produce posters that were displayed in shop windows or on the side of agit prop trains
Revolutionary cinema
  • Lenin believed that cinema was the most important art form of the 20th century and argued that it should be used to inspire support for the government
Dziga Vertov
  • He rejected the Hollywood style, including the use of scripts, sets and actors
  • He preferred to make 'cinema of fact'
  • He used mirror, sped up film, ran film backwards and used montages to achieve experimental effects
  • His most famous film 'A man with movie camera' (1929) was filmed in some of the Soviet Unions biggest cities and tells the story of a day in the life of a soviet city
  • The Soviet newspaper Pravda described them as 'insane', 'puzzling' and 'laughable'
Art under the NEP
  • From 1918 to late 1920 Lenin was preoccupied with winning the war so there was relatively loose control of arts
  • During this period Proletkult and Avant-varde artists flourished
  • As the civil war came to an end Lenin started to enforce greater control of artistic expression
  • Artists were forced to change their style and artistic institutions were attacked and in some cases closed
  • E.g. Malevich sent his most radical paintings to Germany in 1927 and adopted a more conventional style at the end of his life
  • The Petrograd institute of Artistic culture was forced to close in 1926 following a campaign against avant grade art in Pravda
Foreign Fashions
  • From the mid-1920s the government was critical of the influence of American fashion and music on young people
  • Fashion from the USA, particularly clothes associated with the flapper style and jazz were extremely popular with young people in the soviet cities
  • Party leaders claimed that the new fashion and the rhythmic new music encouraged sexual promiscuity and drunkenness
  • They were also concerned that young people would rather dance than attend lectures on revolutionary politics
  • From the mid-1920s Communist party bosses were using OGPU to break up parties where jazz was played

Tuesday, 4 April 2017

Collective farms

  • Larger farms merging together smaller peasant holders
  • Pool labour and resources
  • Improve efficiency
  • Free up labour for industry
  • Collect grain for workers and export and sellStalin makes up Marxism because wasn't specific
  • Create "socialist agrotowns"
3 types

Toz (Least common)

  • Peasants own land
  • Share machinery
  • Coop in harvesting

Sovkhov (Stalin preferred)

  • Owned by state
  • Peasants paid a regular wage
Kolkhoz
  • Land joint owned
  • Run by elected committee
  • Land, tools, crops and livestock shared
  • Peasants also had own plot of land for vegetables and animals if wanted to
Terror
  • 25,000ers enforce collectivisation - return to Moscow with news of collapsing country side
  • Took Kulaks' tools, machinery and animals
  • Forced peasants to sign letters saying they wanted collectivisation
  • Kulaks shot, sent to gulags or deported (approx. 10 million)
Propaganda
  • Turn peasants against kulaks
  • "dizzy with success"

1930s - Stalin realised workers need incentive
1932 - allowed peasants to sell in market
1934 - increased prices for state-procured wheat and rye
1940 - markets 19% of retail trade turnover - embarrassing for Party

Saturday, 1 April 2017

The Show Trials - how to remember

1936 - Trial of the 16

  • Targeted the left
  • Kamenev and Zinoviev
1937 - Trial of the 17
  • Trotskyites and wreckers
1938 - Trial of the 21
  • Targeted the right
  • Bukharin

Stalin's Government

How did the Politburo change?

1924

  • Met weekly


1930

  • Only surviving member of the group was Stalin
  • Everyone else knew not to challenge
  • Met only nine times a year
1936 Constitution
  • Appearance of democracy
  • Everyone can vote (kulaks and patients because they thought the classes no longer exists)
  • Guaranteed jobs (compared to great depression everywhere else)
  • Freedom of the press (in theory)
But...
  • Can only vote for chosen candidates
  • No need for political parties as there was no need